Zodiac, or the Monster of Florence, San Francisco
E 'late, it's night is dark. I'm walking home, the streets are deserted, the silence is broken now and then, passing a moped. The threat can be hidden beyond a rare bush , or a car that whizzes in Milan by night. No, I saw a report on security in the capital of Tg5 morale at the time of the Prodi government. I just got out from the preview of the Zodiac, and I was scared. The latest film by David Fincher reviving is nothing like his masterpiece Se7en. Nothing baroquisms, no gore, no that is not strictly classical. Zodiac is a thriller in which, incredibly, Fincher is hiding. Not bad after a 
mmesso that the story of the Zodiac, who as a child he lived with the fear of the notorious serial killer a step away from home, tortured him for years and years. Obsession - like what the British writer David has exorcised in 4 Piece appalling novels about the Yorkshire Ripper - which could justify a trip serials dripping blood. Instead, Fincher chooses the path of rigor brain, albeit long - a bit 'too - 2 hours. not tell anything about Zodiac, I just only say that it is hunting a serial killer ranging from late 80s to near the present day. I say it's worth it just because it has the rare ability to frighten the viewer. Because many sequences in the killings of successful or just attempted - and also in a terrific scene in a basement - is really scary. A fear that we had almost forgotten to be able to prove in bu
me a room. If it were a grandson of Mario Bava, playing with the el ement most basic of genre films - the dark, the noises, the light comes on or goes , the headlights of a car, the shadows, or phrase thrown there before the apocalypse ("before I kill you, throw your child out the window ") - David Fincher does not solve the 'riddle of Zodiac, but it makes us touch what is the anguish of terror that you can try just before you bring the black man on. 
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