Wednesday, June 23, 2010

What Happend To Fakku







border point ... the dance of listening

laboratory of improvisation and butoh dance

by and with
MARCELLA FANZAGO


Saturday 17 and Sunday, July 18



in listening to the body, the breath, in the simplicity and purity of gesture is the essence of dance, a dance is not flashy, a bridge between an inner world, with its landscape of memories and fantasies, and an external world, often chaotic and too noisy to grasp the significant expression.
today, in fact, it is increasingly difficult to remain silent, everything is sound, noise and perpetual motion that he can never find a moment of waiting, parking, everything happens faster and faster and getting used to the body surface (and mind) to return to automatic increasingly sophisticated and less conscious.
Butoh can open a window on another world, intimate, which involves listening, stillness, waiting, silent, but not only, in which the body is naked, stripped of technical and superstructures listening and silence does not always lead the body to follow physiological pathways and "natural" in the movement and dance, but often "rip" in the discovery of landscapes and interiors were not usual.

Each meeting will be divided into two parts: The first part of
physical training
A second part of technique and dance on images and search around the "
motivation and need for an act






This workshop will take place partly in the classroom in part in the aquatic environment.





The workshop is open to all, dancers, actors, musicians, and is particularly suitable for social workers, educators, teachers, psychologists and educators as it facilitates contact with the creative self by providing deep support for both the act of performing both the educational relationship and / or therapeutic.



at the workshop: Association PuntoUno - Via Martinetti 28, Milan - (San Siro area) and pool Lampugnano - Via Lampugnano
76 Days: Saturday 17 and Sunday, July 18
Hours: Saturday from 10.00 to 14.00 Sunday from 10.00 to
15:30
Cost: € 100.00 (membership card which includes insurance and access to the pool included)


To participate you need to book by phone

02-48752847
sending e-mail to: associazionepuntouno@gmail.com


ORGANIZATION
PuntoUno
Association of Theatre Education, Arts and psychological well-being
Via Martinetti 28, Milan
www.associazionepuntouno.net



"It may be surprising to hear that the Butoh might well be asleep in your body.
My job is to find ways to awaken that Butoh, that life.
I must stress that although the Butoh can be asleep in each, may not be accessible to all. If you can
Butoh dance or not depends on whether the body contains the desire, regret, pleasure and interest in life, along with life experiences and memories (the habits of the body are a type of memory).
Furthermore, since the Butoh form of expression, should be able to prepare and be responsible for this expression.
I do not care who sees Butoh as a kind of exotic show of strange and bizarre gestures and movements studying Butoh with the idea to learn the manual way, as Butoh is a ineffable kind of behavior produced by the body itself.
has neither name nor form.
ignore what is already in the body and deal with external aspects of the body is equivalent to harness the body as a means of expression.
This is very far from the spirit of Butoh. Those who look
are ordinary people, people who can share the joy and pain of living.
not wait fanatics Butoh, Butoh as they yearn for originality, nor the rigorous professional dancers, whose pride is hanging on the edge of the conventional technique.
Masaki Iwana - February 2, 1995

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The Meeting Point - Under the Roof
SITE SPECIFIC PERFORMANCE LAB 3

with Marcella Fanzaga


Last meeting before the summer recess.
Laboratories will resume in October on a monthly basis.


photo of David Gauquelin


ore 16:00 to 21:00 Sunday, July 11, 2010 at

AREA A - Via Maestri del Lavoro - Sesto San Giovanni (MI)


Open to actors, musicians, dancers, visual artists, singers, curious and willing to get involved.


The workshop is organized around the exploration mode of living of the instant compositions and are created in the here and now of the present moment.
E 'practice on improvisation as an art form that trains listening, presence, the value of the instant, the ability to seize the momentum and accept the unexpected, thought Cross, creativity, awareness, power of choice and risk, communication and collaboration, interdisciplinary dialogue between the arts.

The laboratory and site-specific because we want to explore the mind and energy of places and landscapes, outer and inner for the creation of group performances that respect and enhance each individual.

Since the instantaneous composition / improvisation as performance is exercised and grows in the exchange and discussion with an audience, the workshop will be divided into two phases:

an initial training phase (16:00 to 19:30)

and a second phase of performance (8:00 p.m. to 9:00 p.m.) (please bring clothing in black or white)


Cost: 15euro

Registration and Information:
marcella.fanzaga @ tiscali.it 349 57 63 325
giulio @ spazioa.org 339 80 34 424


http://themeetingpoint-milano.blogspot.com/

Friday, June 18, 2010

Briggs And Stratton Diagram Of Governor Spring



The Meeting Point-Under the Roof 09 10
project conceived and curated by Marcella Fanzaga



photo of David Gauquelin

interdisciplinary improvisational performances of music, dance, visual art and its ...

MITADES in collaboration with Association of Social Promotion of the project within the City of Milan Pinc

at
Parco Sempione
input Via Gadio


Sunday, June 20, 2010 19:30

THE MEETING POINT 16


with: Dante Tanzi (Live Electronics) Angelo Contini (Trombone), Isabella Filippini (Dance), Marcella Fanzaga (Dance)


Friday, July 9, 2010 at 20:30

THE MEETING POINT 17


with: Dante Tanzi ( Live Electronics) ODRZ, Lucia Mazzi (Dance), Marcella Fanzaga (Dance)



free admission


info: http://themeetingpoint-milano.blogspot.com/

http://www.mitades.it/

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Saturday, June 19, 2010 - from 10.00 to 19.00


at BLITZ
via Enrico Cosenz 44 / 4
area BOVISA
MILANO

ODRZ performed live in full

ODRZ06 Opera Music Industrial

A full working day at the factory

9 hours of music enriched, for the duration of the performance, actions of two contemporary dancers ( Marcella Fanzaga and Elena Pellegatta ) and Stefano Giorgi an artist from Turin, who paint live.

In addition to video and photo subject in addition to four giant paintings created especially for the project by Stefano Giorgi ODRZ06.



Blitz is a shop in a converted former industrial structure and therefore it was decided to propose performance during working hours.

The store will in fact be regularly open to the public and operational performance will mix with unsuspecting buyers.


free admission

Tuesday, June 1, 2010

Commode Not Filling Tank




border point ... the dance of listening

butoh dance workshops and improvisation

by and with
MARCELLA FANZAGO


Saturday 27 and Sunday, November 28, 2010
Saturday 29 and Sunday, January 30, 2011
Saturday 19 and Sunday, February 20, 2011
in listening to the body, the breath, in the simplicity and purity of gesture is the essence of dance, a dance is not flashy, a bridge between an inner world, with its landscape of memories and fantasies, and an outer world , chaotic and often too noisy to grasp the significant expression.
today, in fact, it is increasingly difficult to remain silent, everything is sound, noise and perpetual motion that he can never find a moment of waiting, parking, everything happens faster and faster and getting used to the body surface (and
the mind) to return in ever more sophisticated automation and less conscious.
Butoh can open a window on another world, intimate, which involves listening, stillness, waiting, silent, but not only, in which the body is naked, stripped of technical and superstructures listening and silence do not always carry the body to follow physiological pathways and "natural" in the movement and dance, but often "rip" in the discovery of landscapes and interiors were not usual.


Each meeting will be divided into two parts: The first part of
physical training
A second part of technique and dance on images and search around the "motivation and need for an act
explore multiple states body dynamics and energy to gain awareness and presence, and leaving out the poetry of our personal inner landscapes and characters. "

The workshops are open to all, dancers, actors and musicians.
The work is particularly recommended for social workers, educators, teachers, psychologists and educators as it facilitates contact with the creative self by providing deep support for both the act of performing both the report and education / or therapeutic.

PLACES AND TIMES:
27 and November 28, 2010
and
29 and January 30, 2011
Saturday 12:00 to 16:00
Sunday 10:00 to 14:00

at Association PuntoUno - Via Martinetti 28, Milan - (area San Siro)
To participate you need to book

calling No. 02 48752847
sending e-mail to: associazionepuntouno@gmail.com
February 19th and 20th 2011
10:00 to 14:00
at RadiceTimbrica Theatre - Via Volturno 19 - Legnano (Mi)
To participate you need to book
calling No. 333 6909223

"It may be surprising to hear that the Butoh might well be asleep in your body. My job is to find ways to revive that Butoh, that life. I must stress that although the Butoh can be asleep in each, may not be accessible to all. If you can dance Butoh or not depends on whether the body contains the desire, regret, pleasure and interest in life, along with life experiences and memories (the habits of the body are a type of memory). Furthermore, since the Butoh form of expression, it should be be able to prepare and be responsible for this expression. I do not care who sees Butoh as a kind of exotic show of strange and bizarre gestures and movements studying Butoh with the idea to learn the manual way, as Butoh is an ineffable kind of behavior produced by the body itself. Has neither name nor form. Ignore what is already in the body and deal with external aspects of the body is equivalent to harness the body as a means of expression. This is very far from the spirit of Butoh. Those aspects are the ordinary people, people who can share the joy and pain of living. I do not expect the fanatics of Butoh, Butoh as they yearn for originality Nor the rigorous professional dancers, whose pride is hanging on the edge of the conventional technique.

Masaki Iwana - February 2, 1995